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・ Hugo Viana
・ Hugo Viana (fighter)
・ Hugo Viart
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・ Hugo Vihlen
・ Hugo Villanueva
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Hugo von Habermann
・ Hugo von Hofmannsthal
・ Hugo von Hohenlandenberg
・ Hugo von Kathen
・ Hugo von Kaweczynski
・ Hugo von Kirchbach
・ Hugo von Mohl
・ Hugo von Montfort
・ Hugo von Pohl
・ Hugo von Seeliger
・ Hugo von Trimberg
・ Hugo von Tschudi
・ Hugo Vásquez
・ Hugo Vázquez
・ Hugo Vélez


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Hugo von Habermann : ウィキペディア英語版
Hugo von Habermann

Hugo Joseph Anton Freiherr von Habermann (14 June 1849, Dillingen - 27 February 1929, Munich) was a German painter and draftsman. He is sometimes referred to as "the Elder" to distinguish him from his nephew of the same name, who was also a painter.
== Life ==
Habermann was the son of Philipp, ''Freiherr'' von Habermann, by his marriage to Pauline, Countess Leutrum von Ertingen. In 1858 the family moved to Munich, where Habermann attended prestigious schools and had his first lessons in art. In 1868 he began studying law, but he showed little enthusiasm for a legal career.〔
In 1870, he served as an army officer in the Franco-Prussian War, but despite this distraction managed to produce his first painting on the subject of Ruth and Boaz. The following year, he was appointed to oversee the artists who were painting portraits of the prisoners-of-war in Ingolstadt. It was then that he decided to give up his law studies and become a painter.
When Habermann returned to Munich, he took some preliminary lessons from Hermann Schneider (1847-1918), then entered the Academy of Fine Arts. In 1874, he was accepted for the master class of Karl Theodor von Piloty. He had his first exhibition four years later. He completed his studies in 1879 and opened his own studio.
Together with Bruno Piglhein and Fritz von Uhde, he opened a private art school in 1880. Unfortunately, it attracted few students and was soon closed.〔 That same year, he joined ''Allotria'', an organization for "revolutionary" artists that would be a precursor to the Munich Secession. At the Munich International Art Exposition of 1897, Luitpold, Prince Regent of Bavaria, named him a Royal Bavarian Professor (a largely ceremonial position) for his painting ''Salomé''. In his later years he would, in fact, specialize in portraits of women.

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